This year's Middle East International Film Festival (MEIFF) will unveil with multiple goals: Helping accomplished Arab Women Directors showcase their talent to a wider audience, encouraging emerging talent and offering a Retrospective on Palestine.

The festival, in its second year, is organised by the Abu Dhabi Authority for Culture and Heritage (ADACH). It will be held from October 10 to 19.

The Director of MEIFF, Nashwa Al Ruwaini said that the Arab Women Directors programme is being held for its second year running.

"The first edition of the programme was enthusiastically received by the audience and critics," she said.

"We aim at attributing all Arab Women Directors, who have a special handle on the cinema scene across the region. We believe that we should be responsible for giving them the chance to showcase their splendid capabilities to the world; and we hope that this event will work as an ideal platform for all of them and help them reach out to the maximum audience possible.

"We hope, in addition, that it will encourage other emerging talents to make the effort to show off both themselves and their experiences," she added.

Al Ruwaini said this year's programme will be led by the Lebanese critic Rima Al Mismar and dedicated to the late famous director Randa Chahal Sabbag who passed away last August.

Sabbag was known for her distinguished achievements and her last film The Kite (Tiyara men warak) was the only Arab movie to win the Venice Film Festival Award - the Silver Lion - in 2003.

It will also be the opening film of the programme.

Eleven films in four categories - narrative, documentary, shorts and animation - come from Lebanon, Palestine, Algeria, Tunisia, Morocco, Egypt, Syria and France. Among the films will be the Palestinian production Always Look them in the Eyes (Dayman Itala’i Bi’eyounhom) by the multi-award winning director Azza El-Hassan. The film highlights the ways in which Palestinians have communicated with the Israelis.

Also screening is Beggars and Gentlemen (Chahatoun wa Noubala) by Asmaa El Bakri. The 1991 production is a remarkable adaptation of the novel by Albert Cossery and tackles the last days of WWII when a man kills a prostitute and the officer assigned to the case awaits the moment of confrontation.

One of the most interesting and highly-anticipated screenings under this programme is the Lebanese animation film My Son (Ya Waladi!) by Lina Ghaibeh. My Son is an animated short film about the pain of a mother waiting for the return of her son who disappeared during the war.

Other films in the programme include Marock by Laïla Marrakchi, Khmissa by Molka Mahdaoui, Behind the Mirror (Wara Al Miraat) by Nadia Cherabi, Our Heedless Wars (Horoubona Al-Ta’isha) by the late Randa Chahal Sabbag, Pret A Porter Imm Ali by Dima El-Horr, The Silence of the Palace (Samt El Koussour) by Moufida Tlatli and Thread of Life (Khait Al-Hayat) by Razam Hijazi.

MEIFF 2008 is also highlighting films in a special retrospective titled 60 Years Since the Division of Palestine, handled by the renowned Iraqi director and author of the Palestinian Cinema Encyclopaedia, Kais Al-Zubaidi. This programme is screening only foreign, non-Arab productions made since 1970, stressing the universal aspect of the Palestinian cause.

It will feature documentaries, shorts and narrative screenings and presents the audience with an opportunity to understand the "spatial memory" that recorded the tragedy of the Palestinians.

Such a perspective is at one time both geographically specific while being universal, that is, it does not only concern human history, but is also specific to the Palestinian homeland.

The 16 films to be screened under this category include award winning films and directors such as Nils Vest, who directed An Oppressed People is Always Right in 1975 and tackled the issue of Palestinian re